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Rose utilizes various media, such as video, sculpture, photography and performance art, to explore issues ranging from the degradation of femininity and sociopolitical inequality. Utilizing an aesthetic of masquerade in her works depicting women who embody feminine archetypes such as porn star Cicciolina; Nabokov’s Lolita; Marie Antoinette of France as well as South African Saartjie Baartman who featured prominently in Europe’s popular “human zoos.”
Rose’s TKO (Technical Knockout) video from 2000 features her repeatedly punching a padded box equipped with spy cameras until it disintegrates her image, symbolising technology’s erasure of women and other marginalised groups while drawing attention to the body as an outlet of resistance and healing.